MUSC 280 Ear Training III. This course continues to develop an aural perception of intervals, pitches, seventh chords, chord progressions, melodies and rhythms. The focus of this semester is on minor and secondary dominant melodies and chord progressions and 9th chords. The rhythms explore sixteenth note syncopated rhythms as well as cut time, 3/8, 6/8 and 5/4 meters
Prerequisites: MUSC 181 with a minimum grade of 70%
Crosslisted: MUSC 274
Accessibility Services Notice
Students who would like an academic accommodation and who have a documented disability should contact Accessibility Services, if they have not already done so.Course Details| Total number of weeks | 15 |
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| Total Credits | |
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| Total Hours | 30 |
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Typical hours per week breakdown| Lab (lab, field, computer) | 2 |
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Learning Outcomes
Upon successful completion of this course, the learner will be able to:
- Conduct and sing in 2/2, 5/4, 3/8, 6/8 time
- Cing and transcribe minor and secondary dominant melodies with intervallic skips
- Sing all diatonic intervals from the root of major and melodic minor derived modes
- Sing and transcribe syncopated 16th note rhythms with ties
- Sing and identify all 9th chords
- Transcribe and understand minor triad and seventh chord progressions and modal interchange progressions
- Sing and identify all intervals within 1 octave
Teaching and Learning Approach
Group singing and dictation of chords, rhythms, melodies and chord progressions.Learning Resources
Required:
Hear it, Sing it, Write It (Books 1-4) written by Paul Landsberg
Recommended:
Recorded audio for dictation and practice from Hear it, Sing it, Write it.Detailed Course Content, Topics, and Sequence Covered
1. th Chapter 1 – 9 chords (Maj9, -9, 9, 7b9, 7#9) cut time rhythms without ties, natural minor melodies, 2 bar minor key triad progressions
2. Chapter 1 - Continued exploration of concepts
3. th Chapter 2 – 9 chords (Maj6/9, -6/9, -Ma9, 9sus4), harmonic minor melodies, 4 bar minor key triad progressions, cut time rhythms with ties
4. Chapter 2 - Continued exploration of concepts
5. th Chapter 3 – 9 chords (+9, 7#5#9, 7b5b9, dim9), 7 modes of melodic minor, 3/8 time, melodic minor melodies, minor th key 7 chord progressions
6. Chapter 3 - Continued exploration of concepts
7. th Chapter 4 - review of 9 chords, 6/8 time, melodic skips on V7/IV and V7/V
8. Chapter 4 - Continued exploration of concepts
9. Chapter 5 – relative chords – diatonic minor triads, 5/4 time, melodic skips on V7/II and V7/VI. Progressions – modal interchange
10. Chapter 5 - Continued exploration of concepts
11. th Chapter 6 – relative chords – diatonic minor key 7 chords, th advanced 5/4, melodic skips on V7/III, modal interchange 7 chord progressions
12. Chapter 6 - Continued exploration of concepts
13. Chapter 7 – Variety of time signatures with advanced syncopation and ties, melodies – secondary and extended dominant melodies
14. Practice Final Exam review
15. Final ExamAssessment
| Title | Learning Outcomes | Value |
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| Homework | | 15% |
| Quizzes | | 35% |
| Final Written | | 25% |
| Final Sung | | 25% |
| Total | 100% |
Grading Table
Standard Contemporary Music and Technology Program Grading Table
| Percentage | Letter Grade | GPA |
| 97 - 100 | A+ | 4.33 |
| 94 - 96.9 | A | 4.00 |
| 90 - 93.9 | A- | 3.67 |
| 87 - 89.9 | B+ | 3.33 |
| 83 - 86.9 | B | 3.00 |
| 80 - 82.9 | B- | 2.67 |
| 77 - 79.9 | C+ | 2.33 |
| 73 - 76.9 | C | 2.00 |
| 70 - 72.9 | C- | 1.67 |
| 60 - 69.9 | P | 1.00 |
| Less than 60% | F | 0.00 |
| Did not withdraw | DNW | 0.00 |
See the Academic Calendar for General Information including how to withdraw from course(s) and other regulations.
Disclaimer
Information contained in this course outline is correct at the time of publication. Content of the course is revised on an ongoing basis to ensure relevance to changing educational, employment and market needs. The instructor will endeavor to provide notice of changes to students as soon as possible. The instructor reserves the right to add or delete material from courses.