DA 102 History of Art, Design and Film introduces students to major movements in art and design, and offers an overview of the century-long transition from the introduction of moving pictures to contemporary digital film making. Students explore the history of visual communication through art, design and cinema.
Accessibility Services Notice
Students who would like an academic accommodation and who have a documented disability should contact Accessibility Services, if they have not already done so.Course Details| Total number of weeks | 15 |
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| Total Credits | |
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| Total Hours | 45 |
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Typical hours per week breakdown| Lecture | 3 |
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Learning Outcomes
Upon successful completion of this course, the learner will be able to:
- Explain terms and concepts of art and design
- Identify the major art movements/styles and explain their impact on the art and design that followed
- Explain the historical, cultural and social context of art historical movements
- Take creative risks and experiment with materials and media
- Defend design choices
- Critique art projects
- Produce projects that explore major movements/styles in art and design
- Deliver a presentation to the class
- Identify significant moments in film from the invention of cinema through modern day filmmaking
- Analyze historical thematic trends and filmmaking styles
- Construct arguments in support of their interpretation and understanding of a film
Teaching and Learning Approach
This is a lecture course in which images, artists and major art movements/styles are explored. Students are
required to attend all classes and take good notes. Class discussion, questions and participation are strongly
encouraged; engaging with the material makes the content more meaningful, interesting, and easier to
understand and retain.Learning Resources
Required: None
Recommended: NoneDetailed Course Content, Topics, and Sequence Covered
1.No class & Orientation Day
2.What is Art? & The Ancient World: Chauvet Cave in France and images from Egypt
3.When sheep are not sheep: Exploring Iconography of the Byzantine Era & The Origins of Typography and Printing
4.The Italian Renaissance: Angels, Demons and Iconography & The Nineteenth Century: Industrial Revolution
5.No Class (Day of Truth and Reconciliation) & The Nineteenth Century: Victorian Era Graphic Design
6.Ukiyo-e and Japonisme: Japanese printmakers and the impact their art made on European Artists
7.No Class (Thanksgiving) & WW1 Propaganda
8.Blue Riders, Wild Beasts and other "Degenerate" Art: The Expressionists and the Nazi Regime & Pablo Picasso: Cubism and other Strokes of Genius
9.Invention of a Medium
10.Documentary Storytelling
11.Street Art: Public Art from around the Globe & Student Presentations
12.Narrative Storytelling
13.Animation in Cinema
14.Individual CritiquesAssessment
| Title | Learning Outcomes | Value |
|---|
| Assignment 1: Art Nouveau inspired Project Assignment 2: German Expressionist inspired | 4-7 | 25% |
| Project | 4-7 | 25% |
| Presentation: Inspirational Artist | 8 | 20% |
| Written or Verbal Critical Analysis 1: Film | 1 10-11 | 7.5% |
| Written or Verbal Critical Analysis 2: Film | 2 10-11 | 7.5% |
| Written or Verbal Critical Analysis 3: Film | 3 10-11 | 7.5% |
| Written or Verbal Critical Analysis 4: Film | 4 10-11 | 7.5% |
| Total | 100% |
Grading Table
Standard Academic and Career Programs Grading Table
| Percentage |
Letter Grade |
GPA |
| 90-100 |
A+ |
4.33 |
| 85-89 |
A |
4.00 |
| 80-84 |
A- |
3.67 |
| 76-79 |
B+ |
3.33 |
| 72-75 |
B |
3.00 |
| 68-71 |
B- |
2.67 |
| 64-67 |
C+ |
2.33 |
| 60-63 |
C |
2.00 |
| 55-59 |
C- |
1.67 |
| 50-54 |
P |
1.00 |
| 0-49 |
F |
0.00 |
| |
DNW |
0.00 |
See the Academic Calendar for General Information including how to withdraw from course(s) and other regulations.
Disclaimer
Information contained in this course outline is correct at the time of publication. Content of the course is revised on an ongoing basis to ensure relevance to changing educational, employment and market needs. The instructor will endeavor to provide notice of changes to students as soon as possible. The instructor reserves the right to add or delete material from courses.