DA 102 History of Art, Design and Film

School of Arts and Technology

DA 102 History of Art, Design and Film introduces students to major movements in art and design, and offers an overview of the century-long transition from the introduction of moving pictures to contemporary digital film making. Students explore the history of visual communication through art, design and cinema.

Accessibility Services Notice

Students who would like an academic accommodation and who have a documented disability should contact Accessibility Services, if they have not already done so.

Transfer Agreements

Course to Course transfer – NoBlock Transfer – Yesbctransferguide.ca
Course Details
Total number of weeks15
Total Credits
Total Hours45
Typical hours per week breakdown
Lecture3

Learning Outcomes

Upon successful completion of this course, the learner will be able to:

  1. Explain terms and concepts of art and design
  2. Identify the major art movements/styles and explain their impact on the art and design that followed
  3. Explain the historical, cultural and social context of art historical movements
  4. Take creative risks and experiment with materials and media
  5. Defend design choices
  6. Critique art projects
  7. Produce projects that explore major movements/styles in art and design
  8. Deliver a presentation to the class
  9. Identify significant moments in film from the invention of cinema through modern day filmmaking
  10. Analyze historical thematic trends and filmmaking styles
  11. Construct arguments in support of their interpretation and understanding of a film

Teaching and Learning Approach

This is a lecture course in which images, artists and major art movements/styles are explored. Students are required to attend all classes and take good notes. Class discussion, questions and participation are strongly encouraged; engaging with the material makes the content more meaningful, interesting, and easier to understand and retain.

Learning Resources

Required: None Recommended: None

Detailed Course Content, Topics, and Sequence Covered

1.No class & Orientation Day 2.What is Art? & The Ancient World: Chauvet Cave in France and images from Egypt 3.When sheep are not sheep: Exploring Iconography of the Byzantine Era & The Origins of Typography and Printing 4.The Italian Renaissance: Angels, Demons and Iconography & The Nineteenth Century: Industrial Revolution 5.No Class (Day of Truth and Reconciliation) & The Nineteenth Century: Victorian Era Graphic Design 6.Ukiyo-e and Japonisme: Japanese printmakers and the impact their art made on European Artists 7.No Class (Thanksgiving) & WW1 Propaganda 8.Blue Riders, Wild Beasts and other "Degenerate" Art: The Expressionists and the Nazi Regime & Pablo Picasso: Cubism and other Strokes of Genius 9.Invention of a Medium 10.Documentary Storytelling 11.Street Art: Public Art from around the Globe & Student Presentations 12.Narrative Storytelling 13.Animation in Cinema 14.Individual Critiques

Assessment

TitleLearning OutcomesValue
Assignment 1: Art Nouveau inspired Project Assignment 2: German Expressionist inspired4-725%
Project4-725%
Presentation: Inspirational Artist820%
Written or Verbal Critical Analysis 1: Film1 10-117.5%
Written or Verbal Critical Analysis 2: Film2 10-117.5%
Written or Verbal Critical Analysis 3: Film3 10-117.5%
Written or Verbal Critical Analysis 4: Film4 10-117.5%
Total100%

Grading Table

Standard Academic and Career Programs Grading Table

Percentage Letter Grade GPA
90-100 A+ 4.33
85-89 A 4.00
80-84 A- 3.67
76-79 B+ 3.33
72-75 B 3.00
68-71 B- 2.67
64-67 C+ 2.33
60-63 C 2.00
55-59 C- 1.67
50-54 P 1.00
0-49 F 0.00
  DNW 0.00

See the Academic Calendar for General Information including how to withdraw from course(s) and other regulations.

Disclaimer

Information contained in this course outline is correct at the time of publication. Content of the course is revised on an ongoing basis to ensure relevance to changing educational, employment and market needs. The instructor will endeavor to provide notice of changes to students as soon as possible. The instructor reserves the right to add or delete material from courses.