MUSC 181 Ear Training II. A continuation of the skills learned in MUSC 180. The focus is on harmonically based melodies with larger intervallic skips. Rhythms are explored primarily through syncopated eighth notes, triplets and sixteenth notes. This ear training class provides an aural perception of MUSC 175, which is taught concurrently.
Prerequisites: MUSC 180 with a minimum grade of 70%
Crosslisted: MUSC 175
Accessibility Services Notice
Students who would like an academic accommodation and who have a documented disability should contact Accessibility Services, if they have not already done so.Course Details| Total number of weeks | 15 |
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| Total Credits | |
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| Total Hours | 45 |
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Typical hours per week breakdown| Lecture | 3 |
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Learning Outcomes
Upon successful completion of this course, the learner will be able to:
- Conduct and sing in 2/4 time
- Sing and transcribe pentatonic melodies and melodies based on the leaps found in diatonic triads
- Sing all diatonic interval from the root of major and melodic minor derived modes
- Sing and transcribe syncopated 16th note and triplet rhythms in 2/4, 3/4 and 4/4 time
- Sing and identify all 7th chords
- Transcribe and understand diatonic seventh chord progressions and secondary dominant progressions
- Use relative pitch to enhance note identification of all chromatic pitches over a 5 octave range
- Sing and identify all intervals within 1 octave
Teaching and Learning Approach
Group singing, dictation, playing on piano, echoing the instructor.Learning Resources
Required:
Hear it, Sing it, Write It (Books 1-4), written by Paul Landsberg
Recommended:
Recorded audio for dictation and practice from Hear it, Sing it, Write it.Detailed Course Content, Topics, and Sequence Covered
1. th Chapter 1 – Melodic Minor Modes, 7 chords introduction, MA7, 7, -7, 7sus4, -7b5, Low range chromatic relative pitch, th syncopated 1/8 notes, Key of D, Progressions – Triad Inversions
2. Chapter 1 - Continued exploration of concepts
3. th Chapter 2 – Pentatonic Scale, Chords – dim7, +7, Intro to 16 th note cells, Keys of C, F and G, Progressions – diatonic 7 chord
4. Chapter 2 - Continued exploration of concepts
5. th Chapter 3 – Chords – Maj6, -6, -(Maj7), 7b5, syncopated 16 notes rhythms, ties, pick-up notes, pentatonic scales Bb, D, Eb
6. Chapter 3 - Continued exploration of concepts
7. th Chapter 4 - High note relative pitch, all 7 chords, 2/4 time and triplets, melodies skips on the V chord, secondary dominant progressions
8. Chapter 4 - Continued exploration of concepts
9. Chapter 5 – ¼ note triplets, melodic skips on the IV chord
10. Chapter 5 - Continued exploration of concepts
11. Chapter 6 – Advanced tied rhythms, melodic skips on diatonic triads
12. Chapter 6 - Continued exploration of concepts
13. Chapter 7 – Maj modes and Melodic minor modes review, chromatic relative pitch uses 5 octave range, rhythm and melody duets
14. Practice Final Exam review
15. Final ExamAssessment
| Title | Learning Outcomes | Value |
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| Homework | | 15% |
| Quizzes | | 35% |
| Final Written | | 25% |
| Final Sung | | 25% |
| Total | 100% |
Grading Table
Standard Contemporary Music and Technology Program Grading Table
| Percentage | Letter Grade | GPA |
| 97 - 100 | A+ | 4.33 |
| 94 - 96.9 | A | 4.00 |
| 90 - 93.9 | A- | 3.67 |
| 87 - 89.9 | B+ | 3.33 |
| 83 - 86.9 | B | 3.00 |
| 80 - 82.9 | B- | 2.67 |
| 77 - 79.9 | C+ | 2.33 |
| 73 - 76.9 | C | 2.00 |
| 70 - 72.9 | C- | 1.67 |
| 60 - 69.9 | P | 1.00 |
| Less than 60% | F | 0.00 |
| Did not withdraw | DNW | 0.00 |
See the Academic Calendar for General Information including how to withdraw from course(s) and other regulations.
Disclaimer
Information contained in this course outline is correct at the time of publication. Content of the course is revised on an ongoing basis to ensure relevance to changing educational, employment and market needs. The instructor will endeavor to provide notice of changes to students as soon as possible. The instructor reserves the right to add or delete material from courses.